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He realizes that all of the older men are unavailable, leaving him "to do the thinking". Allmusic critic Jason Ankeny describes the song, following the album's mellower, acoustic first side, as "a sudden, almost blindsiding metamorphosis, which is entirely the point - it's the shot you never saw coming." The lyrics are the posthumous narration of a young man who attempts to protect his family against an approaching gunboat. "Powderfinger" is the first song of the second, electric, side of Rust Never Sleeps. It is ranked number 450 on Rolling Stone's list of The 500 Greatest Songs of All Time. The Australian rock band Powderfinger took their name from this song. It has been covered by Band of Horses, Cowboy Junkies, Beat Farmers, Rusted Root, Jazz Mandolin Project, Drive-by Truckers, Feelies spin-off Yung Wu, Car Seat Headrest, and Phish. A 2014 Rolling Stone special issue on Young ranked it as Young's best song ever. It subsequently appeared on several of Young's live recordings. Unfortunately, Van Zant was one of several band members who died in a plane crash in 1977 before recording "Powderfinger." The band's surviving members have said there was no feud." Powderfinger" is a song written by Neil Young, first released on his 1979 album Rust Never Sleeps. According to Groovy History, Van Zant wrote his response as a joke, and Young had written the song "Powderfinger" for Skynyrd to record. His response was "Sweet Home Alabama," which included these lyrics: "Well I heard Mister Young sing about her/Well I heard ol' Neil put her down/Well I hope Neil Young will remember/A Southern man don't need him around anyhow."ĭespite what seemed to evidence of a feud, in reality, the two acts were apparently cordial. Far Out says that Van Zant was a fan of Young but felt his song painted the South with too broad of a brush.
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These songs, especially "Alabama," caught the ear of Ronnie Van Zant, the lead singer and songwriter of the Southern rock group Lynyrd Skynrd. The images of American racism that hit the national headlines in the 1960s led Young to record two of his most popular songs, "Southern Man" and "Alabama," according to Ultimate Classic Rock. And like clockwork, while touring, Young decided to leave, forcing Stills to finish the tour alone. Despite Crosby and Nash recording vocals, Young and Stills cut their contributions, creating a Stills and Young duo album and angering their old bandmates. However, Nash and Crosby were unable to join for contractual reasons.
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A year later, Young called Stills, desiring to work on a CSN&Y album. But when the band decided to make an album, Young disappeared.
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Three years later, Young called Nash and Crosby to join him on a tour, and soon, all four men were together. After their first album in 1969, Atlantic Records president Ahmet Ertegun pushed them to put Young in the band.įollowing an album and two tours as part of CSN&Y, Young left to continue his solo career in 1970. The two were introduced to Graham Nash, and the trio became Crosby, Stills & Nash. When Young refused to perform at Monterrey, Stills asked David Crosby to fill in, and the pair connected. Legends explains that Young's desire to be a solo artist caused his split with Buffalo Springfield, but it also accidentally created Crosby, Stills & Nash. In 1988, Scott Young was inducted into the Hockey Hall of Fame as a journalist. Scott Young also became a successful author and historian, writing a number of books, short stories, and novels, including Neil and Me, a 1984 biography about his son and watching him rise to superstardom in music. He gave Neil his first musical instrument, a ukulele, shortly before he and his wife divorced. After spending three years as the assistant editor at Maclean's magazine, he would spend the next three decades as a popular sports journalist, columnist, and commentator for the Toronto Globe and Mail, the T oronto Telegram, and the CBC. Scott went on to serve in the Royal Canadian Naval Volunteer Reserves in Europe and the Mediterranean for the rest of the war.
LYNYRD SKYNYRD NEIL YOUNG FREE
As told by CBC, his first job in journalism was with the Winnipeg Free Press before moving on to The Canadian Press, which he worked from 1942 to 1943 as a war correspondent in London during World War II. Scott Alexander Young did not begin his career as a sports journalist.
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